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A brief history of Goju Ryu Karate

The art of naha-te, founded by kanryohigaonna sensei, forms the basis of gojuryu karate. Kanryohigaonna sensei was born in 1853 and was part of the lower gentry. He longed to study in china the art of chinesekempo, however, was lacking in financial means until he was introduced to the owner of a ship. Fortunately, the owner granted him passage and kanryohigaonna sensei soon arrived at the port city of foochow, the only city in china engaged in trade with okinawa at that time.

Eventually, he was introduced to master ryuryuko. Kanryohigaonna sensei spent sixteen years in foochow, china, studying under master ryuryuko and become like a son to him. He also became well known throughout the region as a great martial artist. Upon his return to okinawa, kanryohigaonna sensei paid his respects to the owner of the ship, yoshimura, and began teaching his sons the art he had learned. As the word spread of his great skill, he soon also taught members of the royal family. Later he opened his own dojo. Kanryohigaonna sensei was especially known for his incredible speed, strength and power and his art became known as naha-dee (te).

The actual founder of the gojuryu karate was miyagichojun sensei, a personal disciple of kanryohigaonna sensei. At the age of 14, miyagichojunsensei metkanryohigaonna sensei and together they devoted their lives to the improvement and advancement of the art of naha-te. They spent thirteen years together until kanryohigaonna sensei passed away in 1916. Miyagi chojunsensei?S family was part of the gentry. They owned two trading ships that imported medicine from china for both the government and private individuals. The same year kanryohigaonna sensei died, miyagichojun sensei left for china to discover the roots of naha-te in the city of foochow. Unfortunately, all had fled during the revolutionary war and he returned to okinawa. Miyagi chojun sensei was a man of strong will and excelled in his studies. He trained daily, often with nature in harsh elements and practiced various exercises to develop his senses. He created several katas and sometimes would receive instructions from his dreams.

In addition to his personal training and development of naha-te, miyagichojun sensei spent a great deal of his time promoting the art. In 1921, he performed a demonstration of naha-te in okinawa for the visiting prince hirohito, emperor of japan and in 1925 for prince chichibu. Miyagi chojun sensei had already envisioned the development of naha-te not only in japan but also around the world. It became increasingly important to organize and unify okinawan karate as a cultural treasure to be passed on to future generations. In 1926, miyagichojun sensei established the karate research club in wakas-cho. Four instructors, miyagichojun, hanashiro, motobu and mabuni, taught alternately some preliminary exercises and supplemental exercises. Afterwards, miyagichojun sensei gave talks to the students about mankind, daily life, and the samurai code of ethics in order to improve their moral development as well. In 1927, kanojigoro sensei, founder of judo, saw a demonstration of a kata by miyagichojun sensei and was impressed by the advanced technique and sophistication of naha-te. Kano sensei?S influence allowed miyagichojun sensei to perform okinawan karate at leading japanesebudo tournaments sponsored by the government. In 1930, miyagichojun sensei performed at the butoku-kai tournament and at the saineibudo tournament in 1932.

As its exposure increased, many became interested in miyagichojunsenseis art. One ofmiyagichojun senses senior disciples, shinzato sensei, gave a performance of kata at a japanese martial arts tournament. Afterwards, a master asked the name of his school. Shinzato sensei had no answer for him, returned to okinawaand toldmiyagichojun sensei about his encounter. In order to promote his art as well as cooperate with other schools of japanese martial arts, miyagichojun sensei decided it was necessary to name his art. It became known as gojuryu karate, meaning hard and soft taken from the precepts of traditional chinesekempo (see below). He was the first among different schools of karate to name his art and in 1933 his art of gojuryu was formally registered at the butoku-kai, japanese martial arts association

During the 1930s, Miyagi Chojun Sensei actively developed and promoted karate-do in Japan and throughout the world. For example, in 1934, a Hawaiian newspaper company invited him to Hawaii in order to introduce and populate karate in Hawaii. In 1936, Miyagi Chojun Sensei spent two months in Shanghai, China, for further study of Chinese martial arts. In 1937, he was awarded a commendation by the Butoku-kai for his kata. Miyagi Chojun Sensei developed Goju Ryu by analyzing and employing scientific methods of exercise. In 1940, he created katas Gekisai Dai ichi and Gekisai Dai ni with the purpose of popularizing karate and improving the physical education of young people. He also created Tensho kata emphasizing the softness of the art whereas Sanchin kata emphasizes the hardness.

A tragic period ensued in the 1940s as a result of World War II and Miyagi Chojun Sense i stopped teaching. During this period he lost a son and a senior student while enduring the devastations of war and poverty. After t he war, Okinawan karate spread rapidly throughout mainland Japan. Miyagi Chojun Sensei taught karate in Kansai, Japan, for a short time. In 1946, however, he started teaching karate at the Okinawan Police Academy as well as in the backyard of his home in Tsuboya where his son still lives today.

From the beginning, Miyagi Chujun Sensei recognized karate as a valuable social treasure of Okinawa. He devoted his entire life to the study, development and transmission of Okinawan karate for the sake of future generations and is truly known as the founder of Goju Ryu karate-do. During his lifetime, Miyagi Chojun Sensei was known and respected by everyone not only in Okinawa but also respected throughout the world as one of karate?s greatest authorities.

Miyagi Chojun Sensei chose the name Goju Ryu from the Eight Precepts of traditional Chinese Kempo found in the document Bubishi? and are as follows:

  1. The mind is one with heaven and earth.
  2. The circulatory rhythm of the body is similar to the cycle of the sun and the moon.
  3. The way of inhaling and exhaling is hardness and softness.
  4. Act in accordance with time and change.
  5. Techniques will occur in the absence of conscious thought.
  6. The feet must advance and retreat, separate and meet.
  7. The eyes do not miss even the slightest change.
  8. The ears listen well in all directions.